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Must say I like 1A and to me it is very impressive!
The rules: "Keep it Simple" and "Perfection is somewhere in between" and a "Process usually tops out at 3 or the concept of 3's"
What I know for sure is keep the dollars (clutter) out of wording - and no slanting letters.
Like the thickness of the Title lettering! Also the black on blue. Easy on eyes and inviting.
Eyes go to title, car, and a thought provoking lyberinth, really like it! The sign is a non-obtrusive after thought!
Got to keep the car and it is the perfect color, the clean look of the whole lower cover says "CLASS" - again I like and would buy it.
None of the others in this post does it for me!
Note:
In my great art revelation, an associate is a painter and I have no talent (or at least never spent the time) and he paints all these paintings in his spare time. Some pretty good, some picasso like, and others. Sometimes he will paint them then go over them time and time again before finishing!
One of his great works (and it would have been his greatest without doubt) was an old boat with sails with rustic wood and waves crashing over the bow, it was dark at night with little visibility and the white water of the waves one of the brighter paints. This was in motion. Tony, by the way, had spent a few years on fishing boats and critical situations (probably gave him insight to soul). In my limited art world view this was the best painting I had ever seen, it elicited emotions and admiration by just looking at it. I had never experienced anything like this ever! It told a never ending story effortlessly. It was simple, elegant, brutal, moving, dangerous, and godlike and communicated what Tony could not communicate himself. I could go on and on - this was a revelation to me, I now look at all art differently instead of the cold business guy.
What happened? He kept refining it and lost it, HE F---G LOST IT!!!! Don't get me wrong it is still a great painting, but the spiritual nature was lost, he cannot reproduce it. The orginal came from the heart, its like making the perfect shot on the basketball court when you mind and body was operating in perfect sync (the zone). And this example does not even describe the full "GLORY" of the first draft!!
Do you think I am over doing this example?? Peck always stated - take the most dramatic road!
Your book is not a painting but your first seems to be wholeistic and hard to improve upon.
The rules: "Keep it Simple" and "Perfection is somewhere in between" and a "Process usually tops out at 3 or the concept of 3's"
What I know for sure is keep the dollars (clutter) out of wording - and no slanting letters.
Like the thickness of the Title lettering! Also the black on blue. Easy on eyes and inviting.
Eyes go to title, car, and a thought provoking lyberinth, really like it! The sign is a non-obtrusive after thought!
Got to keep the car and it is the perfect color, the clean look of the whole lower cover says "CLASS" - again I like and would buy it.
None of the others in this post does it for me!
Note:
In my great art revelation, an associate is a painter and I have no talent (or at least never spent the time) and he paints all these paintings in his spare time. Some pretty good, some picasso like, and others. Sometimes he will paint them then go over them time and time again before finishing!
One of his great works (and it would have been his greatest without doubt) was an old boat with sails with rustic wood and waves crashing over the bow, it was dark at night with little visibility and the white water of the waves one of the brighter paints. This was in motion. Tony, by the way, had spent a few years on fishing boats and critical situations (probably gave him insight to soul). In my limited art world view this was the best painting I had ever seen, it elicited emotions and admiration by just looking at it. I had never experienced anything like this ever! It told a never ending story effortlessly. It was simple, elegant, brutal, moving, dangerous, and godlike and communicated what Tony could not communicate himself. I could go on and on - this was a revelation to me, I now look at all art differently instead of the cold business guy.
What happened? He kept refining it and lost it, HE F---G LOST IT!!!! Don't get me wrong it is still a great painting, but the spiritual nature was lost, he cannot reproduce it. The orginal came from the heart, its like making the perfect shot on the basketball court when you mind and body was operating in perfect sync (the zone). And this example does not even describe the full "GLORY" of the first draft!!
Do you think I am over doing this example?? Peck always stated - take the most dramatic road!
Your book is not a painting but your first seems to be wholeistic and hard to improve upon.
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