Vigilante
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Free registration at the forum removes this block.You're welcome! That's an interesting question. In the past, I've recommended joining a startup for those who want to learn about product development. That's how I learned a lot, fast, when I was just getting started. If sketching appeals to you, you'll certainly be able to make use of that. These days so much work can be outsourced affordably; really, go with what you want to learn. CAD is great, but you really need to have an understanding of manufacturing for it to be worthwhile. Being able to sketch your ideas would be powerful! Thanks for tuning in.
And to add to his question, if I may, would you please elaborate on the process on how you go about finding the individual(s)/company who own the license rights such as the Michael Jordan name? I find this a vital step that could benefit many readers.
Thank you.
- Devin
Mr. Key,
Thanks for being a part of this forum. I really appreciate your genuine participation. I'd like to get your advice as well as others to the following question. I am going to buy one of your two books for my nook tonight. Is one better then the other? I'd hate to buy the second book and miss some of the good stuff in the first book. Is everything in the first book carried over to the second book? 1st book being: One-Simple-Idea-Licensing-Goldmine. 2nd book being: One-Simple-Idea-Startups-Entrepreneurs. What are the key differences between the two books? Opinions please. I can't wait to start digging in!!! Thanks again.
@StephenKey, I just finished "One Simple Idea: for Start-ups and Entrepreneurs" Great book! Thank you for writing it. This is definitely one of those books that I will be be marking up and highlighting as I go along. ha
It was nice to see an entrepreneur lay out their progress and give so much helpful information. Sara Blakely is generous like that too. As is @MJ DeMarco .....and many others on this forum.
P.S. Gracias @Vigilante for recommending it to me
Thanks for the response Steven! I really appreciate you spending time here helping us. But to follow up on what you said about not needing a physical prototype, has there ever been a licensing deal that you/your students made where the licensee required a prototype? I ask this because if most companies accept sell sheets alone, why do many inventors spend so much time and money making a prototype?
Hey Stephen, I find your experience with licensing fascinating and inspiring, I am sure I will try licensing products a lot in the future. So, I have a quick question from your speech if you ever get a minute to answer it.
In the deal with the basketball hoop, you said that you contacted the company who had rights to Michael Jordan name, that part all made sense. But I didn't understand what exactly you licensed to them; if it was just a backboard with a Michael Jordan picture, did you license them the hoop?, or was the picture once put on the backboard considered a "game" that was then licensable to the company?
@StephenKey , I have an app idea that is specific to one company. It is not a product, but a service that could be considered as a marketing technique. As well as, providing better customer service and getting people involved in the companies community. I really do believe that this idea will help them rise above their competitors. Can I still protect this idea? Or should I have to make and sell the app?
I enjoyed your book by the way!
Rock on Stephen, awesome having you on here! Was just at Barnes and Noble yesterday to pick up your book. Only a few chapters in so far but I really like it. I agree with what you say about first to market, but I'm trying to figure out how to deal with copycats.
Take Silly Bandz for example; they launched and within a year had dozens of copycats, some that even acquired licensing deals with companies like Disney before they did.
I have a product i created that would be in a similar category. Completely original (but not patentable, from what my IP attorney tells me), targets kids and has a low retail price point. My concern though is that, like Silly Bandz, the second I take it to market I'll be copied left and right.
What would you recommend in a situation like this?
Mr. Key,
Completed the book and enjoyed it immensely. I have been pumping my wife for ideas, and she as a couple, one that I think I can design (or at least propose a draft), the other one is to technically complex (would require a lot of knowlege of electrical engineering). My question is can we sell an idea, which is largely a "wouldn't this be neat" idea, with no detail on how to design it, all we would be offering is an idea with a large market? On the other product, I need to start researching it and see if anything like it exists, if not I'll start the process. Thanks, Bill
Hello Stephen,
I just want to say I loved your book and did read it while reading Fast Lane. You have really inspired me to create. Dor a while I was searching for something that fits my personality. I work on projects quickly until its done and get bored easily so this was a nice fit.
I did have one questions. As far as a DBA, do I ask them to sign one along with the sell sheet or do I ask them to sign prior to sell sheet? This was something that confused me in your book.
I had a question for Stephen. In 30 years he's licensed roughly 20 products, and he says you have to have lots of ideas "in play" to get one accepted.
How many $110 provisional patents do you normally spend before you get one that sells? If it takes 100 ideas to get one licensed, that could be kind of a spendy hobby while you hope one succeeds.
Hey Stephen,
Just got done reading your book. I love your approach, because it actually seems very straight forward (though nerve racking when you actually start cold calling). I have a question about your approach to selling your spin-formation design. I have a product I'm developing that is also in the packaging design business. I'm curious about what your clients cared about when you presented the idea (aka, why did they care about it) and how your royalty deal was different from your other products you sold (such as the Michael Jordan Basketball hoop).
I really appreciate the response.
Hey Stephen, I don't have any background in engineering or anything of that sort. I have an idea that I know can be made, but I just don't have the technical knowledge to do it. Do you or your students ever encounter this problem? If so, what do you do?
Hey Stephen,
I got your book for Christmas and have been reading it lately. Very much enjoying it so far - especially since I have an idea that I have built a prototype for and strongly consider to get licensed these days. Your book is really great and I highly recommend it to anyone here on the forum - even if they think they are "not the creative kind". Like you say: anyone can come up with license-able ideas!
I will probably have some more questions for you soon, but one thing I dont quite understand is the scenario above. If you do not even have a provisional patent - and you call a company up like that - what stops them from saying "awesome, thanks for the idea!" and running with your idea without ever paying you? If you did not have even a provisional patent - did they decide to just pay you licensing fees (which according to you was in the hundreds of thousands for this over ten years) to "be nice", or did they just assume that your idea had been protected so they would have to pay you?
I would think that if I called up companies who were already licensing ideas like that - that they would just take the idea without ever bothering to pay me. Unless of course - I had a provisional patent to show for. Correct me if I am wrong, and thanks for your time!
Some industries like toys don't always care so much about patents. They just want good ideas. It's more about being first to market.
If they rip you off and word get's out, inventors would stop sending them ideas and their free R&D department would be gone.
They love the fact that they get all these ideas flowing in and they only have to pay for the ones they like.
Hey Stephen I have an idea I have been toying with for awhile made a mock up out of clay did alot of research after reading and re reading your book. I'm from Jamaica and I was wondering If I could just outright follow the advice you give and get a PPA through inventright to get protected in the US without protecting it in Jamaica. The main/minor companies I have in mind that would license this idea is in the US not Jamaica, I have no intentions of getting a patent here but since I'm not a US citizen I was wondering if I could do this?
Stephen! This is so awesome because I just finished your book, looked this thread up and found it was outdated so never bothered posting. So I am ecstatic right now to see you are back. So I have an idea for licensing and I looked into the PPA but the problem is from my understanding what I would need is a design patent and not a utility patent which you cannot provisionally apply for. My idea is for a toy and very similar to your wall ball in that you just added graphics and did not change the function. Should I forgo the PPA and still follow your process as explained in the book? Thanks, I can't wait to hear from you!
The filing fee due to the USPTO for a small entity is $265 plus a 15% surcharge, which makes the cost about $305.Stephen; What ballpark are we talking here - as compared to the more expensive utility patents?
All our students who apply themselves learn how to work on licensing their ideas. This is a skill they can use throughout their life. After, they leave us, they don't need us anymore. This is the goal of any good coach/mentor/teacher and it's the biggest goal Andrew Krauss and I have for our students. Students are only with us for a year of coaching in most cases, so i don't know how much each of my students are making after they leave us. I've had many students come back to us after many years telling us about all the deals they've done on their own. There is nothing that makes me more proud than that. Others we never hear form again. Some have quit their day jobs and gone full time while others continue with their business or job and continue to always work on one project on the side. I don't sell the get rich quick thing. Yes, we have students making over 100k a year. To be honest, i don't ask them exactly what they are making. We don't use that kind of sales pitch in our marketing. You can make a lot of money licensing new product ideas, however it's rare to see someone make a million dollars in one year of one product. However, it's not rare to see royalties stream in over time and from several products you've licensed. That may be 50k a year, 100k or much more. Also, all products don't sell forever, so don't expect to earn money off something you've licensed for your lifetime. You need to license more products to keep the money coming in.Stephen,
Another question - crass and impolitic as it may be: What percentage of your students, who apply themselves and your teachings, make over $100K/year from their licensing work?
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